A museum curator since she was 20, Dominique de Font-Réaulx came into her own surrounded by the world’s most celebrated works of art. Rembrandt, Cézanne, Ingres, Courbet – the glorious masters of canvas are her life’s work. No doubt influenced by the compelling presence of these paintings, the Parisian-based curator and historian began exploring the effect on painters of a new medium that exploded onto the 1800s art scene: photography.
There is so much a singer can do to convey a story to their audience with these lyrics in an intimate cabaret room. For the audience, it transports. For the performer, it’s pure joy.
The beauty of the book is that it has not changed its form. It remains as Gutenberg designed it, leaves bound between covers, handy enough to be held in our arms. A book comes alive when it is opened, and it is here that the magic and mystery begin, as we turn the page and discover a new world held together by concept, content, and the quality of production itself. We are fortunate to have this opportunity to speak with Gerhard Steidl about his life’s work, as a single force who continues to honor the art of book making through his exquisite publishing programme.
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Valerie Steele hardly needs introduction. The Director and Chief Curator of The Museum at the Fashion Institute of technology […]
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the interview: In your own words, how would you describe yourself as an actress? I’m not sure how […]
It’s been an improvised life, my involvement with music was entirely the result of circumstantial coincidence.